Sunday 3 January 2016

3.3 Intro to Regulation - BBFC & Video Nasties

Objective: 
To debate regulation and have some understanding of the BBFC classification and censorship guidelines

C: apply concepts and key terminology to historical study of UK Film regulation

B: analyse Case Studies and compare debates 

A: evaluate & synthesis arguments surrounding regulation and its effectiveness

Starter: 8 aspects of Film Regulation BBFC Family Fortunes 
http://playfamilyfortunes.com/play/5l6xdb?lives=5&showLetterHints=true&playStarPrize=true&showIntro=true

Task 1: 1953 - 2011
The Wild Ones https://m.youtube.com/watch?v=s8LC9Oy9k7Q
Human Centipede 2 https://m.youtube.com/watch?v=GpcCJ8ozirU
Clockwork Orange https://www.youtube.com/watch?v=faML0QvVb2A 

Hunger Games https://www.youtube.com/watch?v=_rWBCV2_B9c

What regulation would you advise?

A. Certificate - which U, PG, 12, 12A, 15, 18, R18?
B. Censor - Cut or Ban?


Why?


Look up what the actual ruling was - Wikipedia

New Info: Be clear on terms:

Regulation
Intervening in the production or consumption. State regulation laws ie (Video Recordings Act 1984). 2 ways to do this...

- Classification
Restricting access on the grounds of age (BBFC films in cinema or home release)

- Censorship
The power to control what we are permitted to access (banning or cuts)



Factors the BBFC has to consider when rating a film:
  • Imitation - Newson Report  (Jamie Bulger)
  • Descrimination 
  • Context &Theme - artistic merit
  • Tone & impact on its audience
  • Violence
  • Sex & sexual references, 
  • drugs, 
  • Language 
Create Meaning:
You are the BBFC officer - what certificate?


9 Songs https://www.youtube.com/watch?v=SCRIfz4nXvs

Pulp fiction https://m.youtube.com/watch?v=oJ1u_vbyn04


Create Meaning: produce a Timeline of significant events of Film Regulation using the above Case Studies. Use your notes and the video below


Apply the Terms:
  • Mary Whitehouse (National Listeners and Viewers Association)
  • Obscene Publications Act 
  • Video Recordings Act
  • Censorship - Pre-emptive, Direct or In-direct
  • Procative/Reactive Regulation
  • Statutory/Self-Regulation
  • Conservative Government
  • Classification
  • Imitable Behaviour
  • Moral Panic
Consider: Historical Reference Case Study: 1980s Video Nasties




Assessment: 


Plenary: Who is this and why is she important?






Snuff Box BBFC 'by the few, for the masses' https://m.youtube.com/watch?v=gytbhgHSENA
1:54 start

Map out the debates with discussion debate points:
1. Using the article for prep work, highlight key points https://stephenfollows.com/raters-gonna-rate-uk-film-censorship/

2. also look at the following Timeline http://www.bbfc.co.uk/education-resources/student-guide/timelines/violence-and-weapons 

3. and the Guidelines for certification http://www.bbfc.co.uk/sites/default/files/attachments/BBFC%20Classification%20Guidelines%202014_6.pdf 


Pro-regulation/censorship

Y Newson: to protect vulnerable audiences young people are impressionable and may imitate or disassociate reality

Y controversial content can lead to desensitisation or a loss of moral norms, capacity for compassion

Y deregulation slippery slope by making content permissible we condone its place in society ie rape

Y film makers have to keep pushing the boundaries of taste further to be controversial 'hype' HC2

Anti-regulation/censorship

N Adorno who is protecting who from what BBFC 'by the few, for the masses'N Uses & gratifications audience watch for a number of reasons ie catharsis

N Stuart hall oppositional and negotiated readings

N Is regulation and restriction even possible anymore when content is online & global

N the context or intention of the message may justify the content?

Extension: Use the resources in the PPTs below to develop you theoretical argument



Plenary:

1. Can we still protect the vulnerable in contemporary society? 

2. Is still appropriate to have an official regulator (think about who regulates) - what are some of the issues with this?

3. Which has proven to be more effective - Statutory (Legal), self-regulating (Industry/Individual)

4. How has Film regulation changed over time? 


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