Starter: feminist, post-feminist or misogynist?
New Info: Are horror films Misogynist, Feminist or Post Feminist?
New Info: Are horror films Misogynist, Feminist or Post Feminist?
Objective: to examine and apply theories of representation to Horror Trailer, referring to examples to infer meaning
D describe and outline theories of representation
C apply theories to own trailer with examples (stereotypes & genre expectations)
B analyse trailers and infer meaning related (feminism, dominant ideology & notions of other)
A evaluate the ideological perspective of your trailer from a feminist, postmodern or Marxist point of view
New info: Mulvey and Clover http://youtu.be/R7ELAfCEaKU
Create a Mind map to summarise and select 5 approaches from a combination of:
- Mulvey (Male Gaze Feminist position)
- Berger (Men Act, Women Appear)
- Dobbs (Scream Queens)
- Clover (Final Girl & Post-Feminist Position)
- Derry (Gender, Religion & Sexuality)
- Paffenroth (Zombies)
- Neale (Monster metaphors for Society)
- Gramsci (Hegemony)
Resources:
http://www.slideshare.net/nicolanais/representation-2-2012 (Men women and chainsaws Carl clover)
http://www.slideshare.net/belair1981/horror-films-creating-and-reflecting-fear (Wood/Neale)
https://anickeleye.wordpress.com/2012/12/14/a-cabin-in-the-woods-a-look-at-stereotypes-and-their-significance-to-horror-films/ (stereotypes in Horror - Dyer)
Stereotypes (Sarkeesian)
Thu February 20, 2014
Pretty Bloody: Women and Stereotypes in Horror Movies
By Maggie Freleng
February is Women in Horror Month, which is dedicated to recognizing women in the horror film industry. As with all film, women behind- and on-screen are woefully under-represented. This is probably because, according to a recent report, women are less likely to work in the action, horror, and sci-fi genres. This may be a no-brainer, considering the poor and stereotypical representations of women in the horror genre - there is no way women from diverse perspectives can be making these movies.
On that note, any other race other than white people are also under-represented in horror movies. According to a recent study, white women are killed 52 percent more of the time than other races/ethnicities. The likeliness of this obviously seems to be that horror films feature white people significantly more - and we know how much viewers love watching a blonde woman in her bra and underwear run from a villain.
So this month, we take a look at some of your favorite horror movies and the tropes the women who do make it into these films play.
Damsel in Distress
This one may be the most obvious in horror films, and the most commonly used. Women are the weaker sex and in need of rescue by a man. This trope traces back to some of the first horror movies like "King Kong" and "Creature From the Black Lagoon." In modern movies, these women are tortured, ostracized, and victimized - often running around vulnerable and half naked.
Jealous, Vengeful Lover
It seems that in horror movies, women always have a reason to kill. Most often, it is because of passion, anger, or jealousy - usually involving a man. Women rarely snap and kill for the sake of killing. The idea that women kill because they are scorned lovers is a huge boost to the male ego.
Evil Demon Seductress
Just as titillating as the Jealous, Vengeful Lover is the idea of the Evil Demon Seductress. Anita Sarkeesian, media critic and author of the video blog, "Feminist Frequency", stated in one of her “Tropes vs. Women” videos: "When an evil-demon-seductress is on screen, men get to objectify her while having these sexist, preconceived notions reaffirmed that women are indeed manipulative and deceitful.” Evil Demon Seductresses use their sexuality to deceive a man, and then naturally uses violence to get what they want. The recent film, “Jennifer’s Body,” features Megan Fox in this exact role.
Demon Host
During the same time, women were also victims, but a different kind of victim - they were victims of their own bodies. In movies like, “The Omen” and “Rosemary’s Baby,” the female body was a host for evil. "The Exorcist" and "The Exorcism of Emily Rose" are other examples. As women of the time tried to portray their bodies as a source of power and beauty, horror movies showed they were still a source of guilt, shame, and evil. (Did we mention in "The Exorcist," the obsessed girl actually proceeds to stab her vagina with a crucifix? If that's not symbolism...)
Overly Liberated Woman
During the second wave of feminism, it scared many men that women were gaining power, liberating themselves and their bodies. During this time, movies depicting the idea of a liberated woman and what could happen if women had too much power were common. Movies like “Carrie” showed the fear and dread of a powerful women and what happens when she gives her body a choice.
Sexually Promiscuous Women and The Saved Virgin
During the height of the sexual revolution, particularly in the late 70s, horror movies punished sexually liberated and “promiscuous” women. In movies like “Halloween”, all the teens who were sexually experienced were killed. The lone survivor, Jamie Lee Curtis, was the only “pure” one. The "Friday the 13" series particularly punishes those teens who drink, smoke, and have sex.
Maggie Freleng is a Brooklyn-based writer and photographer focusing on social justice, gender, and sexuality. Follow her on Twitter @dixiy89.
Laura Mulvey - the male gaze
One theory in media studies is the idea of the ‘male gaze’. This explores the idea that the camera ‘sees’ images through male eyes.
http://www.youtube.com/watch?v=ViwtNLUqkMY
Carl Clover (men, women and chainsaws)
http://www.youtube.com/watch?v=ViwtNLUqkMY
Carl Clover (men, women and chainsaws)
Final Girl becomes Phallic replacement
Feminism / Post feminism
—Feminism = a movement (c. 1960s) promoting the rights of women to be equal to men and arguing that women should no longer dress and behave as men wish them to.
—Post-feminism = movement arguing that women have now achieved equality and should be free to dress and behave as they wish without doing so for the benefit of men. Use of Irony and reclaiming sexuality - not exploitation
Assessment: Homework write a 30 min timed essay using your chosen 4 theorists
Essay Representation of gender:
Paragraph 1:
Feminist - Male Gaze, "Men Act, Women Appear", Roles women have in Horror (Scream Queens)
Paragraph 2:
Final Girl/Post-Feminist, Roles women have in Horror (Scream Queens)
Paragraph 3:
Monster/Other - what the Monster represents (internal, external social threat)
Paragraph 4:
Gender/Religion/Sexuality
Paragraph 5:
Gramsci Hegemony (what the films are saying to condition us about about 'normality')
Some Concluding Questions by paired group:
Feminism / Post feminism
—Feminism = a movement (c. 1960s) promoting the rights of women to be equal to men and arguing that women should no longer dress and behave as men wish them to.
—Post-feminism = movement arguing that women have now achieved equality and should be free to dress and behave as they wish without doing so for the benefit of men. Use of Irony and reclaiming sexuality - not exploitation
Assessment: Homework write a 30 min timed essay using your chosen 4 theorists
Essay Representation of gender:
Paragraph 1:
Feminist - Male Gaze, "Men Act, Women Appear", Roles women have in Horror (Scream Queens)
Paragraph 2:
Final Girl/Post-Feminist, Roles women have in Horror (Scream Queens)
Paragraph 3:
Monster/Other - what the Monster represents (internal, external social threat)
Paragraph 4:
Gender/Religion/Sexuality
Paragraph 5:
Gramsci Hegemony (what the films are saying to condition us about about 'normality')
Some Concluding Questions by paired group:
Is your media text hegemonic, reinforcing ideologies by representing things in familiar ways?
Is your media text counter-hegemonic, challenging ideologies by representing things in different and unexpected ways?
Does your media text contain stereotypical representations of gender roles? Or does it challenge stereotypes associated with gender?
Does your media text contain representations that support ‘The male gaze’ theory?
Does your media text contain representations that support ‘The post-femininst’ approach?
Do you include ‘The Final Girl’? Or is that an insult to the representation of women in horror?
Do you include ‘The Final Girl’? Or is that an insult to the representation of women in horror?
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